Strymon DIG Delay
The Strymon DIG Delay unearths the true soul of digital delay and doubles it—two simultaneous, integrated delays with the captivating rack delay voicings from the 1980s and today, for incredible expressive potential.
Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails all in a compact, pedalboard-friendly format. The Strymon Dig Delay is capable of all this and so much more.
Rack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays yet to be heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.
Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode.
Multiply these distinct voicings by two and get DIG—your perfect dual delay ally.
Series, Parallel, Ping Pong
Set up your two delays in one of three configurations. Series is like setting up pedals in a chain on your board, feeding Delay 2 into Delay 1. Parallel will orient your delay lines so that they remain independent—Delay 1 in the left channel and Delay 2 in the right channel. With Ping Pong, each delay acts as a ping pong delay, interacting together when both Mix knobs are turned up.
Don’t want your delays to be synchronized? Free Mode disables time sync and subdivisions between Delay 1 and Delay 2, giving the Time 2 knob a full delay range from 20ms to 1.6s.
Holding down the TAP footswitch enables circular repeats, where both delay lines maintain a static volume and repeat continuously until the TAP footswitch is disengaged. At this point, all previous settings will be restored.
Input allows for the connection of either an expression pedal, external tap, or Favorite switch. Plug in an expression pedal and control any one knob with your foot. Plug in an external tap pedal to remotely tap in your tempos. Plug in a Favorite switch to save and recall a favorite preset.
TRS Stereo Input
We know that there are some out there that like to run stereo rigs. This is why we’ve added the option of running the input of your DIG in stereo. Flip a jumper inside your pedal, use a TRS splitter cable, and now you’ve got yourself a stereo input.
- Two simultaneous, integrated delays, with unique digital rack delay voicings
- Five dual delay adjustment and tone shaping knobs: Time, Time 2, Mix, Mix 2, Repeats
- One modern and two classic digital delay voicings: 24/96, adm, 12 bit
- Five rhythmic subdivisions: Triplet, Eighth, Golden Ratio, Dotted Eighth, Dotted Quarter
- Three choices for delay line modulation: Off, Light, Deep
- Five “hidden” knobs for deep dual delay control: Delay 1 Subdivision, Sync/Free Mode, Filter, Config, Delay 2 Repeats
- Selectable Free Mode disables subdivisions and synchronization
- Press and hold Circular Repeats effect
- 20ms – 1.6s delay range (40ms – 3.2s with Half Note Delay 1 Subdivision)
- High impedance mono input, with selectable TRS stereo input
- Stereo output
- Three signal routing configurations: Series, Parallel, Ping Pong
- Tap tempo and Bypass footswitches
- Expression pedal input allows the connection of either an expression pedal (for selectable control over any knob parameter), external tap pedal (for remote control of tempo), or Favorite switch (to save a Favorite preset)